The Paris    Music & Passion    Ultimate Manilow    From Boston to Denver...    Backups/Band    Platinums    Back Home

Music & Passion - Las Vegas Hilton
August 9, 2007


(View photo gallery here)

M2-B-27

Another great show tonight. The signs on the doors said they were filming it for something, and I thought I could see a cameraman off to the side of the stage. Not knowing whether the audience could be seen in any of the shots, I didn't take any photos - just snapped about 4 real quick ones and put the camera up. Kind of mixed feelings about that - I really do go back and relive the shows by looking at the photos. But it was also really nice to just watch him, the backups, the stage lighting, and everything else with my own eyes.

After sitting further back a couple of weeks ago, I'm really starting to notice the lighting effects in conjunction with the performance (I'm multitasking!). It's just so impressive.

You could tell from Barry's performance that something was going on. He gets so much more intense when the show is being filmed for some reason. He's putting his all into it, but it's not the same as when he does it for the fans. At the convention shows he's pouring it all out, but he's relaxed - at things like this, he appears to be trying so hard he's almost tense. Don't get me wrong - it was a fantastic show and a fantastic performance - I heard a lot of civilians raving about it afterward, some of them calling their friends and telling them "it was the best show I've ever seen". I can just see a difference - probably just because I've seen the show so many times now. This is insane (yes, I know it is - feel free to criticize - I've been there, done that, and wore that darn T-shirt out), but I think I'm going to hit my 90th show sometime this week. After you see anything 90 times you're going to start noticing differences in mannerisms and such.

I should also note that by the middle of the show, the tension seemed to be gone. It was the normal Barry.

But enough of all that - on to the show.

Opening was standard, although again he seemed to be "living" It's a Miracle - and Somewhere in the Night was extra sexy.

At the end of Jump Shout Boogie, when he shakes it, he turned around to face the audience, and shook it at his backups. That seemed to catch them by surprise. I thought Keely was going to fall off the piano, she was laughing so hard.

Barry sang I Am Your Child again - a good strong performance, but not as good as last night. He mentioned that he was a little hoarse, then cut his eyes over toward the audience and said "There's no lip-synching in this show."

In place of WINE, he sang Even Now. This one was excellent, especially the ending. It seemed like he held that note toward the end forever. He got a standing ovation for that one.

He "played" with Can't Smile again tonight. He really appeared to be having fun with it. And most of the audience seemed to catch it tonight.

They all seemed to be having a great time with the William Tell Overture. A few times it looked as if a couple of the backups were going to start laughing in the middle of the song. Barry held it together, but his eyes were a dead give-away. I just love the way they sparkle when he's amused at something.

Tonight Barry seemed to be working the crowd during You've Lost That Loving Feeling. The way he performs that song is sexy and he knows it - he knows exactly what to do to get a reaction out of the crowd. The master showman at his finest.

Mandy/Could It Be Magic was again extraordinarily passionate. I'm not sure if he was wearing a new jacket tonight or not. At first it appeared to be the same blue one that he frequently wears during that spot of the show. But when he walked closer, it looked different - might have been brushed satin - but was a beautiful shade of royal blue. Then when he walked to the other side of the stage, it was purple!

It was over too soon. Always is.

The Paris    Music & Passion    Ultimate Manilow    From Boston to Denver...    Backups/Band    Platinums    Back Home

All photos and content Copyright ©Dana Holland